Jazz

av ANN-KRISTIN (HEDMARK) & Sandvik Big Band

av ANN-KRISTIN (HEDMARK) & Sandvik Big Band

Ann-Kristin & Sandvik Big Band - Same - original Philips 1977. Visuellt graderad skiva/omslag EX/EX, en "paper scuff". Betalning i kuvert eller bankkonto. Rek. 65kr - ansvarar ej för något oförutsett orsakat av posten. Frak.. läs mer

Ann-Kristin & Sandvik Big Band - Same - original Philips 1977. Visuellt graderad skiva/omslag EX/EX, en "paper scuff". Betalning i kuvert eller bankkonto. Rek. 65kr - ansvarar ej för något oförutsett orsakat av posten. Frakt 48kr. minimera

av GLENN MILLER

EP I FINT SKICK RCA EPC-1190-2 FODRALET LITE NÖTT I KANTERNA.

av GLENN MILLER

LITEN LP 10" FRÅN SLUTET AV 50-TALET PÅ RCA LPM-9852-E SKIVAN I FINT SKICK MEN GULA MÄRKEN EFTER GAMMALT TEJP PÅ BAKSIDAN AV FODRALET.

av GLENN MILLER

LP MED INSPELNINGAR FRÅN 1938 - 1942 PÅ RCA LFM 17512 MONO I FINT SKICK.

av Shorter, Wayne

av Shorter, Wayne

Jazz - modern, EP, Top Rank TEP 159 ( 1959 / 1959 ) Tenorsaxofonisten Wayne Shorters första album i eget namn hette ""Introducing Wayne Shorter"" och därifrån är denna EP:s två spår hämtade. Förstklassigt sällskap: Lee Morgan tp.. läs mer

Jazz - modern, EP, Top Rank TEP 159 ( 1959 / 1959 ) Tenorsaxofonisten Wayne Shorters första album i eget namn hette ""Introducing Wayne Shorter"" och därifrån är denna EP:s två spår hämtade. Förstklassigt sällskap: Lee Morgan tp, Wynton Kelly p, Paul Chambers b och Jimmy Cobb dr. Speltid drygt 13 min. Vinyl Mycket gott skick . Svensk pressning. Ett hörn veckat, anteckning baksidan. minimera

av Sonny Rollins

av Sonny Rollins

The Complete Blue Note Records is a five-disc box set that contains everything Sonny Rollins recorded for the label between 1956 and 1957. Each disc has been previously released individually -- this set simply collects Sonny Rol.. läs mer

The Complete Blue Note Records is a five-disc box set that contains everything Sonny Rollins recorded for the label between 1956 and 1957. Each disc has been previously released individually -- this set simply collects Sonny Rollins, Vols. 1 & 2, Newk's Time and A Night at the Village Vanguard, Vols. 1 & 2 in one slipcase, with no new remastering. For anyone intending to replace their Rollins Blue Note collection, or wishing to acquire all of this music at the same time, this set is essential, but anyone that already owns the individual discs needn't bother with this set. minimera

av Johnny Hartman

av Johnny Hartman

Combining songs from two 1966 ABC-Paramount LPs (Unforgettable Songs by Johnny Hartman and side two of I Love Everybody) onto one CD, the Impulse! label presents this smooth-voiced baritone backed by brassy orchestration for.. läs mer

Combining songs from two 1966 ABC-Paramount LPs (Unforgettable Songs by Johnny Hartman and side two of I Love Everybody) onto one CD, the Impulse! label presents this smooth-voiced baritone backed by brassy orchestration for the first time since his dates with the Dizzy Gillespie Big Band. This proves to be a fine marriage, though lacking the intimacy of his unparalleled recordings with the small ensembles led by John Coltrane (John Coltrane and Johnny Hartman) and Illinois Jacquet (I Just Dropped by to Say Hello). One of the biggest tragedies of the swing/cocktail revival of the late '90s was that this album remained unheard at all the martini parties thrown by hipsters across the globe. Like dark satin in a highball glass, Johnny Hartman simmers through a song with a combination of Nat "King" Cole's amiable warmth and Frank Sinatra's sly phrasing. Unforgettable shines with pop standards like "The Very Thought of You," "The More I See You," "Isn't It Romantic?," "Almost Like Being in Love," and of course the title track, in which Hartman pays loving tribute to Cole while still never abandoning his own personal touch. The album concludes with five live tracks (side 2 of the 1966 LP I Love Everybody), swingingly propelled by the rapid-fire drumwork of Shelly Manne and including the smoldering "That Old Black Magic" and the hilarious (at least 30+ years later) chauvinism of "Girl Talk." Perfect for a black-tie wedding reception or a much more casual evening for two in front of the fire, Unforgettable (like any of Hartman's Impulse! recordings) is filled with a warm romanticism that never gets smarmy, and always stays as cool as a blackjack dealer at The Sands. minimera

av Roy Haynes

av Roy Haynes

This splendid-sounding CD reissues a 1962 set from the Roy Haynes Quartet -- which, at the time, consisted of Haynes, Henry Grimes on bass, Tommy Flanagan on piano, and Roland Kirk on saxes, manzello, stritch, and flutes. The al.. läs mer

This splendid-sounding CD reissues a 1962 set from the Roy Haynes Quartet -- which, at the time, consisted of Haynes, Henry Grimes on bass, Tommy Flanagan on piano, and Roland Kirk on saxes, manzello, stritch, and flutes. The album is a delightful mix of techniques in arrangement and performance, with all of the musicians delivering terrific work -- Haynes' drumming is absolutely wonderful here, lightly dancing around the other instruments, Flanagan's piano playing is equally light and delicate, Grimes' bass work is outstanding (during "Raoul" you have a chance to hear one of the few bowed bass solos on records of that era), and there's not much that can be said about Kirk's sax and flute work that hasn't already been said a hundred times, apart from the fact that the flute solos on "Snap Crackle" help this cut emerge as particularly outstanding. minimera

av Cecil Taylor Unit/Roswell Rudd Sextet

av Cecil Taylor Unit/Roswell Rudd Sextet

A couple of unrelated avant-garde dates are combined on this single CD from 1998. There are three selections from Cecil Taylor's 1961 Quintet (featuring pianist Taylor, bassist Henry Grimes, drummer Sunny Murray, altoist Jimmy L.. läs mer

A couple of unrelated avant-garde dates are combined on this single CD from 1998. There are three selections from Cecil Taylor's 1961 Quintet (featuring pianist Taylor, bassist Henry Grimes, drummer Sunny Murray, altoist Jimmy Lyons, and tenor saxophonist Archie Shepp) with trumpeter Ted Curson and trombonist Roswell Rudd added on the third cut, "Mixed." "Bulbs," which includes some hints of R&B, is particularly intriguing. This date as a whole was one of Cecil Taylor's last ones on which he still had a connection (if loose) to more traditional straight-ahead jazz. Normally, the Taylor set is combined with a few unrelated selections headed by trumpeter Johnny Carisi (and issued under Gil Evans' name even though the arranger had nothing to do with either session). In this case, the Taylor date is matched with trombonist Roswell Rudd's Everywhere, a 1966 Impulse album that also features altoist Robin Kenyatta (who comes across as the date's strongest soloist), Giuseppi Logan on flute and bass clarinet, both Charlie Haden and Lewis Worrell on basses, and drummer Beaver Harris. Of their four selections there are tributes to Eric Dolphy (Logan's contribution to the set) and Herbie Nichols, an odd revival of Bill Harris' "Everywhere," and the best performance, a spirited "Yankee No-How." Although not Rudd's greatest album, there are enough fascinating ensembles on this set for it to nearly hold its own with Taylor's more essential session. minimera

av Archie Shepp

av Archie Shepp

From 1964, Archie Shepp's first date as a leader featured -- as one would expect from the title -- four tunes by John Coltrane, his mentor, his major influence, and his bandleader. The fact that this album holds up better than a.. läs mer

From 1964, Archie Shepp's first date as a leader featured -- as one would expect from the title -- four tunes by John Coltrane, his mentor, his major influence, and his bandleader. The fact that this album holds up better than almost any of Shepp's records nearly 40 years after the fact has plenty to do with the band he chose for this session, and everything to do with the arranging skills of trombonist Roswell Rudd. The band here is Shepp on tenor, John Tchicai on alto, Rudd on trombone, Trane's bassist Reggie Workman, and Ornette Coleman's drummer Charles Moffett. Even in 1964, this was a powerhouse, beginning with a bluesed-out wailing version of "Syeeda's Song Flute." This version is ingenious, with Shepp allowing Rudd to arrange for solos for himself and Tchicai up front and Rudd punching in the blues and gospel in the middle, before giving way to double time by Workman and Moffett. The rawness of the whole thing is so down-home you're ready to tell someone to pass the butter beans when listening. Rudd's arrangement of "Naima" is also stunningly beautiful: He reharmonizes the piece for the mid-register tone of Shepp, who does his best Ben Webster and adds a microtonal tag onto the front and back, dislocating the tune before it begins and after it ends, while keeping it just out of the range of the consonant throughout. Wonderful! The only Shepp original here is "Rufus (Swung, His Face at Last to the Wind, Then His Neck Snapped)." It's not a terribly sophisticated tune, but it works in the context of this band largely because of the soloing prowess of all the members -- particularly Tchicai -- here. There is barely any melody, the key changes are commensurate with tempo shifts, and the harmonics are of the sliding scale variety. Still, there are the blues; no one can dig into them and honk them better than Shepp. When it came to sheer exuberance and expression, he was a force to be reckoned with in his youth, and it shows in each of the tunes recorded here. Four for Trane is a truly fine, original, and lasting album from an under-celebrated musician. minimera

av Miles Davis

av Miles Davis

This two-CD set, which completely reissues the two lengthy LPs My Funny Valentine (a set of lyrical ballads) and Four & More (which is filled with very rapid versions of Davis's standard repertoire), features the 1963-64 Quintet.. läs mer

This two-CD set, which completely reissues the two lengthy LPs My Funny Valentine (a set of lyrical ballads) and Four & More (which is filled with very rapid versions of Davis's standard repertoire), features the 1963-64 Quintet at its best. This particular unit consisted of the greatly underrated tenor-saxophonist George Coleman and the young rhythm section of pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams. Since Davis's future studio albums with this group (after Wayne Shorter replaced Coleman) would be sticking exclusively to group originals, this exciting set gives one the opportunity to hear this band really stretching out on older tunes, showing off the influence of the avant-garde along with the players' own individual styles. It's highly recommended transitional music. minimera

av FRANK SINATRA

LP FRÅN 1984 PÅ QWEST RECORDS 925 145-1 I FINT SKICK.

av Bobby McFerrin

Innehåller Don`t worry be happy EMI Manhattan 1988 10 spår. Holländsk pressning. Mycket Gott Skick.Fodralets baksida har några mindre rivmärken antagligen efter någon etikett.

av LILLER & PAPA BUE`S VIKING JAZZBAND

av LILLER & PAPA BUE`S VIKING JAZZBAND

Privatförsäljning!Sälja mina samlingar! OBS:GRATIS OCH BRA EMBALLAGE!Porto postens A taxa!Omslag och skiva är i GOTT SKICK! läs mer

Privatförsäljning!Sälja mina samlingar! OBS:GRATIS OCH BRA EMBALLAGE!Porto postens A taxa!Omslag och skiva är i GOTT SKICK! minimera

av Cave Stompers

av Cave Stompers

Sonet SEP 512 - skiva+omslag i bra skick läs mer

Sonet SEP 512 - skiva+omslag i bra skick minimera

av Lester Young

av Lester Young

All too often, jazz critics have promoted the myth that Lester Young's playing went way downhill after World War II -- that the seminal tenor man was so emotionally wounded by the racism he suffered in the military in 1944-1945 .. läs mer

All too often, jazz critics have promoted the myth that Lester Young's playing went way downhill after World War II -- that the seminal tenor man was so emotionally wounded by the racism he suffered in the military in 1944-1945 that he could no longer play as well as he had in the '30s and early '40s. To be sure, Young went through hell in the military, and his painful experiences took their toll in the form of alcohol abuse, severe depression, and various health problems. But despite Young's mental decline, he was still a fantastic soloist. This eight-CD set, which gathers most of the studio recordings that he made for Norman Granz's Clef, Norgran, and Verve labels from 1946-1959, underscores the fact that much of his postwar output was superb. At its worst, this collection is at least decent, but the Pres truly excels on sessions with Nat "King" Cole and Buddy Rich in 1946, Oscar Peterson and Barney Kessel in 1952, Roy Eldridge and Teddy Wilson in 1956, and Harry "Sweets" Edison in 1957. Disc 8 contains two recorded interviews with the saxman -- one conducted by Chris Albertson in 1958 for WCAU radio in Philadelphia, the other by French jazz enthusiast Francois Postif in Paris on February 6, 1959 (only five or six weeks before Young's death on March 15 of that year). The contrast between the fascinating interviews is striking; in Philly, Young is polite and soft-spoken, whereas in Paris, the effects of the alcohol are hard to miss. Sounding intoxicated and using profanity liberally, Young candidly tells Postif about everything from his experiences with racism to his associations with Billie Holiday and Count Basie. But as much as the set has going for it, The Complete Lester Young Studio Sessions on Verve isn't for novices, casual listeners, or those who are budget-minded (Verve's suggested retail price in the U.S. was $144). Collectors are the ones who will find this CD to be a musical feast. minimera

av Tadd Dameron and his orchestra

Riverside RLP 419 mono, insp 1962 m bl a Bill Evans, Johnny Griffin, Joe Wilder, Clark Terry, Philly Jo Jones - titlar bl a / On a misty night / Fontainebleu /Look stop and listen / Youre a joy m fl - skiva+omslag i fint skick NM

av DUKE ELLINGTON

EP PÅ RCA-1364 . LITE SLITET PÅ KANTERNA PÅ FODRALET .

av DUKE ELLINGTON

LP PÅ ACE OF HEART AH 89 MONO FRÅN 60-TAET. FINNS EN LITEN REVA PÅ FODRALET.

av DUKE ELLINGTON

LP PÅ RCA-1715 I FINT SKICK FRÅN 60-TALET.

av DUKE ELLINGTON

LP PÅ REPRISE RS 6234 FRÅN MITTEN AV 60-TALET I FINT SKICK.

av Ehrling, Thore

av Ehrling, Thore

Jazz - Big Band, LP, Cupol CLPL 1019 ( 1948-51 / 1973 ) Thore Ehrling och hans stora orkester var en institution i svenskt musikliv under 1940- och 50-talen. På somrarna regerade man på Skansens utedansbana och resten av året va.. läs mer

Jazz - Big Band, LP, Cupol CLPL 1019 ( 1948-51 / 1973 ) Thore Ehrling och hans stora orkester var en institution i svenskt musikliv under 1940- och 50-talen. På somrarna regerade man på Skansens utedansbana och resten av året var det restaurangengagemang, radio, turnéer och täta besök i skivstudion. Här får vi ett antal smakprov på hur orkestern lät åren kring 1950, då den som vanligt var späckad med några av Sveriges främsta jazzmusiker - t ex Arnold Johansson, Gösta Törner tp, Georg Vernon tb, Ove Rönn, Arne Domnérus as, Carl-Henrik Norin, Jojjen Björklund, Gösta Theselius ts, Stig Holm p, Sven Stiberg g, Hasse Tellemar b, Henry Wallin, Bertil Frylmark dr. Sånginpass av Britt-Inger Dreilick, Alice Babs, Harry Arnold och Stig Gabrielsson. All diskografisk information på konvolutet. Speltid ca 45 min. Vinyl Mycket gott skick . Små numrerade etiketter i nederhörn fram- o baksida samt på centrumetikett. minimera

av Granlund Family, The

av Granlund Family, The

Jazz - vokal, CD-EP, gran1001 ( 2003 / 2003 ) En riktig pärla med pappa Elmer Granlund från Vännäs och de tre skönsjungande döttrarna Annika, Catarina och Åsa i ett knippe gamla godingar. Dessutom ett starkt kompband med Peter L.. läs mer

Jazz - vokal, CD-EP, gran1001 ( 2003 / 2003 ) En riktig pärla med pappa Elmer Granlund från Vännäs och de tre skönsjungande döttrarna Annika, Catarina och Åsa i ett knippe gamla godingar. Dessutom ett starkt kompband med Peter Lindqvist ts, Mattias Jonsson tp/flh, Alberto Pinton bcl, Andreas Öberg g, Mattias Algotsson p/org, Fredrik Jonsson b och Johan Löfcrantz Ramsay dr. Speltid ca 18 min. Begagnad . minimera

av Coltrane, John

av Coltrane, John

Jazz - modern, CD, Giants of Jazz CD 53058 ( 1956-57 / 1990 ) En fin samlingsvolym med tenorsaxofonisten John Coltrane (1926-1967) från två betydelsefulla år på 1950-talet. Coltrane hörs med Miles Davis kvintett, Tadd Damerons k.. läs mer

Jazz - modern, CD, Giants of Jazz CD 53058 ( 1956-57 / 1990 ) En fin samlingsvolym med tenorsaxofonisten John Coltrane (1926-1967) från två betydelsefulla år på 1950-talet. Coltrane hörs med Miles Davis kvintett, Tadd Damerons kvartett, Thelonious Monks trio & kvartett samt med egen sextett. All diskografisk information i häftet. Speltid 71:31. Begagnad . minimera

av Webster, Ben

av Webster, Ben

Jazz - swing/mainstream, CD, Giants of Jazz CD 53167 ( 1956-1962 / 1993 ) Ben Webster (1909-1972) är en av jazzens stora stilbildare på tenorsaxofon. Den här samlingsvolymen ger en bra bild av hans spel när han stod på toppen av.. läs mer

Jazz - swing/mainstream, CD, Giants of Jazz CD 53167 ( 1956-1962 / 1993 ) Ben Webster (1909-1972) är en av jazzens stora stilbildare på tenorsaxofon. Den här samlingsvolymen ger en bra bild av hans spel när han stod på toppen av sin förmåga. Vi får fyra kvartettspår med pianisten Art Tatum, som Webster själv höll som det bästa han gjort, sex med Oscar Petersons trio som uppbackning och två med pianisten Hank Jones, där också trumpetaren Harry Edison medverkar i ett nummer. All diskografisk information i häftet. Speltid 66:24. Begagnad . minimera

av Django Reinhardt

24 spår med Django Reinhardt,git.Stéphane Grappelli,vi,Bill Coleman och Rex Stewart,tr.Barney Bigard,cl.Dicky Wells,tb m.fl Nyskick.Obruten förpackning. PWR 27201

av Rush Hour

Jazz - fusion/pop-jazz, CD, Rush Hour Records RHR-1001 ( 1994 / 1994 ) Gruppen Rush Hour består av Larry Imbordino dr/perc, Peter Saxe keyb, Tim Gaw b, Steve Zoloto sax och Kraig McCreary g + gäster. Speltid 62:05. Begagnad .

av Porter, Art

av Porter, Art

Jazz - fusion/pop-jazz, CD, Verve 314 511-877-2 ( 1992 / 1992 ) Alt- och sopransaxofonisten Art Porter avled 1996 vid 35 års ålder i en båtolycka i Thailand, mitt uppe i en mycket lovande karriär inom s k smooth jazz. Det här va.. läs mer

Jazz - fusion/pop-jazz, CD, Verve 314 511-877-2 ( 1992 / 1992 ) Alt- och sopransaxofonisten Art Porter avled 1996 vid 35 års ålder i en båtolycka i Thailand, mitt uppe i en mycket lovande karriär inom s k smooth jazz. Det här var hans debutalbum. ""A '92 session mixing fusion, R&B, and light jazz by Art Porter with a host of guest stars and participants, including Jeff Lorber, Paul Jackson, Jr., Buzz Feiten, Paul Pesco, Paulinho Da Costa, and Valeri Davis. There are also some vocals and elaborate production."" (Ron Wynn, allmusic.com) Speltid 57:12. Begagnad . minimera

av Porter, Art

av Porter, Art

Jazz - fusion/pop-jazz, CD, Verve 517 997-2 ( 1993 / 1993 ) Alt- och sopransaxofonisten Art Porter avled 1996 vid 35 års ålder i en båtolycka i Thailand, mitt uppe i en mycket lovande karriär inom s k smooth jazz. Här hörs han m.. läs mer

Jazz - fusion/pop-jazz, CD, Verve 517 997-2 ( 1993 / 1993 ) Alt- och sopransaxofonisten Art Porter avled 1996 vid 35 års ålder i en båtolycka i Thailand, mitt uppe i en mycket lovande karriär inom s k smooth jazz. Här hörs han med bl a Jeff Lorber, Alec Milstein, Paul Jackson Jr, Paulinho da Costa och Raymond Brown. Speltid 53:35. Begagnad . minimera

av Rustichelli, Paolo

av Rustichelli, Paolo

Jazz - fusion/pop-jazz, CD, Verve 314 517 206-2 ( 1990-92 / 1992 ) Den italienske keyboard- och synthspelaren Paolo Rustichelli är kanske inte så bekant för de flesta. Men den här skivan är uppseendeväckande, därför att Rustiche.. läs mer

Jazz - fusion/pop-jazz, CD, Verve 314 517 206-2 ( 1990-92 / 1992 ) Den italienske keyboard- och synthspelaren Paolo Rustichelli är kanske inte så bekant för de flesta. Men den här skivan är uppseendeväckande, därför att Rustichelli lyckats få Miles Davis att gästspela på två spår. I italienarens hemmastudio gör de två duo-versioner av titellåten ""Capri"", en med sordin, en utan. Som om det inte räckte medverkar också storheter som Herbie Hancosk, Wayne Shorter, Carlos Santana och Andy Summers, tillsammans och var för sig på olika spår. Speltid 45:50. Begagnad . minimera