Shakespeare - vår samtida

Häftad bok. Stockholm : Natur och kultur. 1972. 356 sidor.

Nära nyskick. Klassisk bok av Jan Kott.
Jan Kott (October 27, 1914 – December 23, 2001) was a Polish political activist, critic and theoretician of the theatre. A leading proponent of Stalinism in Poland for nearly a decade after the Soviet takeover, Kott renounced his Communist Party membership in 1957 following the anti-Stalinist Polish October of 1956. He defected to the United States in 1965.[1][2] He is regarded as having considerable influence upon Western productions of Shakespeare in the second half of the 20th century.[3]
As a theatrical reviewer, Kott received praise for his readings of the classics, and above all of Shakespeare. In his influential volume Shakespeare, Our Contemporary (1964), he interpreted the plays in the light of philosophical and existential experiences of the 20th century, augmented with his own life's story. This autobiographical accent became a hallmark of his criticism. Kott sought to juxtapose Shakespeare with Eugène Ionesco and Samuel Beckett, but his greatest insight came from the juxtaposition of Shakespeare with his own life. He took a similar approach to his reading of Greek tragedy in The Eating of the Gods. Reportedly, Peter Brook's film King Lear and Roman Polanski's Macbeth (both made in 1971) were influenced by Kott's view of Shakespearean high tragedy in relation to the 20th-century "nightmare of history".