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Flow and friction : On the tactical potential of interfacing with Glitch Art

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Flow and friction : On the tactical potential...
av Grundell, Vendela
Häftad bok.

Mer om ISBN 9789188031372

Nyskick. Discover the impact of glitch art on online spectatorship in this groundbreaking study. | Art and Theory, Utg. 2016 | Danskt band. 4:o (201x254 mm)

Säljare: h:ström - Antikvariat & Bokhandel (företag)

Inrikes enhetsfrakt Sverige: 62 SEK

ISBN

9789188031372

Titel

Flow and friction : on the tactical potential of interfacing with Glitch Art

Författare

Grundell, Vendela

Förlag

Art and Theory

Utgivningsår

2016

Omfång

208 sidor

Bandtyp

Danskt band

Mått

201 x 254 mm Ryggbredd 16 mm

Vikt

790 g

Språk

English

Baksidestext

The growing flow of digital culture depends on the hidden protocols of its underlying systems. To explore how interfacing shapes spectatorship online, this pioneering study pinpoints experiences of flow through the friction of photo-based glitch art by Phillip Stearns, Rosa Menkman, and Evan Meaney. Homing in on the viewer, these three cross-disciplinary case studies present and analyze material that is new to the art-historical context. In particular, they focus on how glitched artworks in online environments make viewers aware of their own activity within the flow, causing a break from the increasingly naturalized integration of system and individual. When a glitch invites the viewer to try out different positions in relation to the system, a tactical spectatorship unfolds.

9789188031372

ISBN: 9789188031372
Titel: Flow and friction : on the tactical potential of interfacing with Glitch Art
Författare: Grundell, Vendela
Förlag: Art and Theory
Utgivningsår: 2016
Omfång: 208 sidor
Bandtyp: Danskt band
Mått: 201 x 254 mm Ryggbredd 16 mm
Vikt: 790 g
Språk: English

The growing flow of digital culture depends on the hidden protocols of its underlying systems. To explore how interfacing shapes spectatorship online, this pioneering study pinpoints experiences of flow through the friction of photo-based glitch art by Phillip Stearns, Rosa Menkman, and Evan Meaney. Homing in on the viewer, these three cross-disciplinary case studies present and analyze material that is new to the art-historical context. In particular, they focus on how glitched artworks in online environments make viewers aware of their own activity within the flow, causing a break from the increasingly naturalized integration of system and individual. When a glitch invites the viewer to try out different positions in relation to the system, a tactical spectatorship unfolds.