NIKO PIROSMANI

Häftad bok. –– FÖRLAGSNY! –– Louisiana Museum of Modern Art. 2023. 96 sidor.

Nyskick. –– FÖRLAGSNY! – Dansk text. – Se fler bilder! ––

Lousiana Revy – 63. ärg. Nr 3 2023.

""The first-ever presentation in Northern Europe of the work of Niko Pirosmani (1862-1918), Georgia’s most famous artist and a mythical figure in the story of early modernist art. Showcasing around fifty, rarely seen Pirosmani masterpieces on loan from the Georgian National Museum.
• There is something almost mythical about the story of Pirosmani, who lived and worked in Tbilisi around the turn of the last century. As the exhibition will show, the simple, gleaming depictions of people and wildlife by this self-taught sign painter and penniless vagabond place Pirosmani as an outstanding exponent of early modern art.
• When it comes to the work of Pirosmani, the image comes first. Pirosmani’s blunt images are monumentally simple, with their colours gleaming against the black canvas background. In a sense, they are images for and in the public space. They are certainly neither private nor psychological.
• They are about human space, people encountering animals, people eating together and people moving about. The power emanating from these images is simple, yet sophisticated, because the images are so effective. With a few brushstrokes, Pirosmani transformed the mundane into something extraordinary, creating icons of glowing intensity.
• Even while Pirosmani was still alive, rumour had it that his iconic black and white giraffe was in fact a self-portrait. If you look closely, you will see that it is weeping - Pirosmani has placed a tear in the corner of the eye. Could this be a symbol of an unhappy love story?
• One is indeed tempted to think so, as one the many myths, closely connected to the life of the artist is the one about his painting of French actress Margarita. The story goes that Pirosmani was allegedly so in love with her that he bought all the flower bouquets of Tbilisi’s and strewed them across the road to her hotel, which she had unfortunately just vacated.
• The authentic expression in naïvism played an important role for the pioneers of modern art.
The myths about Pirosmani are many, not least because of this naivety - but there is no indication that he was naive. With Pirosmani, one must first of all look at the strength of the image.
To a rare extent, already in his lifetime Pirosmani's art spoke to all, from people in the street and in taverns to avant-garde artists and writers. His art bridged worlds, it celebrated a feeling of belonging and dedication.
This places Pirosmani as an important figure in the history of modern art's break with the classical tradition and the search for other, more authentic expressions."

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