Your country and preferred language.

Select your country Select language

Denna webbplats använder cookies för att säkerställa att du får den bästa upplevelsen.

Menu
Sökalternativ
Stäng

Välkommen till Sveriges största bokhandel

Här finns så gott som allt som givits ut på den svenska bokmarknaden under de senaste hundra åren.

  • Handla mot faktura och öppet köp i 21 dagar
  • Oavsett vikt och antal artiklar handlar du till enhetsfrakt från samma säljare i samma kundvagn
I am silver and exact Linda Hofvander

I am silver and exact Linda Hofvander

Inbunden bok. Art and Theory. 1 uppl. 2015. 60 sidor.

Mycket gott skick. Kartonnage. Pärmarna lätt böjda

Inrikes enhetsfrakt Sverige: 62 SEK
Betala med Swish Stöd Bokhjälpen

Förlagsfakta

ISBN
9789198157383
Titel
I am silver and exact Linda Hofvander
Författare
Seikkula, Auro
Förlag
Art and Theory
Utgivningsår
2015
Omfång
60 sidor
Bandtyp
Inbunden
Mått
210 x 295 mm Ryggbredd 10 mm
Vikt
490 g
Språk
English
Baksidestext
Materiality, spatiality, the imaginary reading of the green screen color, and the illusory understanding of shapes: Linda Hofvander s photographic work holds surface and depth, material and image. Her photographs are made in the analogue technique to make documents of what was in front of the camera. She uses mundane objects and makes her own simple interventions to suggest possible readings. Her conceptual work is often related to the photographic vision, and its connection to what is being photographed. The book I am silver and exact encompasses Hofvander s work and exhibitions between 2011 and 2014 with the exhibition Föreställningar (a Swedish word that means both performances and imaginations) as its starting point. The publication also contains two texts: one by the artist Annika von Hausswolff, and one by the curator and writer Aura Seikkula. I am silver and exact is the beginning of the Sylvia Plath poem Mirror that Seikkula quotes in her text and that also doubles as the title of the book and the cover image. The celebrated graphic designers Snøhetta have also picked up on the theme, placing the title on the edge between black and silver on the cover an edge that is torn by hand and thus imperfect.