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Social Forms - A Short History of Political Art

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Social Forms - A Short History of Political A...
av Viveros-Fauné, Christian
Häftad bok. David Zwirner Books . 2018. 58 sidor.

Mer om ISBN 9781941701904

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Säljare: Lullisbullis

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ISBN

9781941701904

Titel

Social forms - a short history of political art

Författare

Viveros-Faune, Christian

Utgivningsår

2018

Bandtyp

(soft cover

Språk

English

Baksidestext

In Social Forms: A Short History of Political Art', renowned critic, curator and writer Christian Viveros-Fauné has picked 50 representative artworks?from Francisco de Goya's The Disasters of War (1810?20) to David Hammons' In the Hood (1993)?that give voice to some of modern art's strongest calls to political action.0In accessible and witty entries on each piece, Viveros-Fauné paints a picture of the context in which each work was created, the artist's background and the historical impact of each contribution. Sometimes artists create projects that subvert existing power structures; sometimes they make artwork so powerful it challenges the very fabric of society. Whether it is Picasso's Guernica and its place at the 1937 World's Fair, or Jenny Holzer's Truisms (1977?79), which still stop us in our tracks, this book tells the story behind some of the most important and unexpected encounters between artworks and the real worlds they engage with.

David Zwirner Books 9781941701904

ISBN: 9781941701904
Titel: Social forms - a short history of political art
Författare: Viveros-Faune, Christian
Utgivningsår: 2018
Bandtyp: (soft cover
Språk: English

In Social Forms: A Short History of Political Art', renowned critic, curator and writer Christian Viveros-Fauné has picked 50 representative artworks?from Francisco de Goya's The Disasters of War (1810?20) to David Hammons' In the Hood (1993)?that give voice to some of modern art's strongest calls to political action.0In accessible and witty entries on each piece, Viveros-Fauné paints a picture of the context in which each work was created, the artist's background and the historical impact of each contribution. Sometimes artists create projects that subvert existing power structures; sometimes they make artwork so powerful it challenges the very fabric of society. Whether it is Picasso's Guernica and its place at the 1937 World's Fair, or Jenny Holzer's Truisms (1977?79), which still stop us in our tracks, this book tells the story behind some of the most important and unexpected encounters between artworks and the real worlds they engage with.